The High Cost of Being Present at the Venice Biennale
Laura Cappelle, The New York Times
August 20, 2026
That could have happened as part of Venice’s Theater or Dance Biennales, two events under the same umbrella as the contemporary art juggernaut — but there seems to be limited appetite for programming crossovers. Indeed, I also wondered how some works in the Dance Biennale, which concluded on Aug. 1, would have looked in exhibition spaces, like Molissa Fenley’s graphic, minimalist “Bardo,” a potent Keith Haring tribute performed by the 71-year-old Fenley herself...
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Mali
Mali from Molissa Fenley on Vimeo.


