Welcome!

Top: Photo by Federica Capo (2022), Lava Field, at the Agropoli Festival, Italy;
Christiana Axelsen, Molissa Fenley, Timothy Ward

Below: Photo by Steven Pisano (2024), Etruscan Matisse/Blake at Roulette; Christiana Axelsen, Molissa Fenley, Justin Lynch, Timothy Ward

Current and Upcoming Projects/Performances:

In New York City

Molissa and Company perform Etruscan Matisse/Blake, Parts 1 + 2, as part of Salone at the Judson Memorial Church, March 17, 2026

In Venice, Italy

BiennaleDanza2026 - May 25 - August 1, 2026

May 25 - June 14 - creation for the Biennale Danza 2026, session #1; June 13-19 - session #2 (Molissa with Christiana Axelsen, rehearsal director)

• July 26 + July 28 - premiere of creation with music by Denardo Coleman at the 20th International Festival of Contemporary Dance

• July 28, 10am-1pm - a performance workshop led by Molissa and Christiana Axesen

July 31 and August 1 - State of Darkness (danced by Cassandra Trenary) and Bardo (danced by Molissa Fenley) at Tese dei Soppalchi, 20th International Contemporary Dance Festival at the Venice Biennale.

https://www.labiennale.org/en/dance/2026/biennale-college-danza-2026-dancers

Best wishes to all!
Love, Molissa
Photo by Steven Pisano (2024), Timothy Ward (l), Justin Lynch (r) in Entre Les Lampes

Photo by Art Davison (2024), Molissa Fenley in Double Beginning

Rhythm Field, Molissa Fenley

Molissa Fenley, one of the most influential artists of postmodern dance, has had a lasting impact on performance. In dance, she has explored extreme effort and duration in highly crafted patterns and performed with an explosive, joyous energy that infused her work with endurance, balance, and life force. She challenged modern dance orthodoxy and redefined the character of a woman’s moving body in the late twentieth century, bringing postmodernized ritual to the stage.

Rhythm Field is a vivid and probing portrait of Fenley’s four-decade career, written by her fellow artists. The collection functions as a multifaceted look into one woman’s complex performing arts legacy. The result is itself an aesthetic undertaking that investigates the ways in which Fenley straddles dance traditions, art genres, and gender norms and has been a model to the field. The collection offers several scholarly analyses of the choreographer’s work, and is, above all, a vibrant record from the field. Rhythm Field sits at a necessary midpoint between criticism and scholarship.

Click Here to Purchase


Salone at Judson Memorial Church
March 17, 2026, 7pm
Click here for details

BiennaleDanza2026
May 25 - August 1, 2026
Click here for details

Tese dei Tre
July 26 + July 28, 2006
Click here for details

Entrance

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