Upcoming projects:   
May 6, 2018 - An evening curated by Molissa of new work by Molissa Fenley, Garth Grimball, House of Lauren, Erik Lee, Joslyn Mathis-Reed and Bhumi Patel as part of the free events offered by Bay Area Dance Week. Presented at SAFEhouse for the Performing Arts in San Francisco. Reserve your free ticket here!

June 21-23, 2018 - The Company presents three performances of Their Mark, an evening of new dance and new music, at Danspace/St. Mark's Church. This is an evening made in collaboration with composers Frank Cassara and Ralph Farris featuring live music composed expressly for percussion and viola. The program is a reprise of the evening we presented at the Days and Nights Festival this past September with a reconfiguring of dances performed by Jared Brown, Betsy Cooper, Holley Farmer, Molissa Fenley, Giada Ferrone, Kristen Foote, Ananda Gonzalez, India Gonzalez and Alan Good.  Purchase tickets by clicking here!

 Archeology in Reverse,  created in collaboration with Catherine Wagner, opens at the Mills College Art Museum on September 8, 2018.  The exhibition will remain on view for six weeks.

Please join us!  Love, Molissa



Rhythm Field, Molissa Fenley

Molissa Fenley, one of the most influential artists of postmodern dance, has had a lasting impact on performance. In dance, she has explored extreme effort and duration in highly crafted patterns and performed with an explosive, joyous energy that infused her work with endurance, balance, and life force. She challenged modern dance orthodoxy and redefined the character of a woman’s moving body in the late twentieth century, bringing postmodernized ritual to the stage.

Rhythm Field is a vivid and probing portrait of Fenley’s four-decade career, written by her fellow artists. The collection functions as a multifaceted look into one woman’s complex performing arts legacy. The result is itself an aesthetic undertaking that investigates the ways in which Fenley straddles dance traditions, art genres, and gender norms and has been a model to the field. The collection offers several scholarly analyses of the choreographer’s work, and is, above all, a vibrant record from the field. Rhythm Field sits at a necessary midpoint between criticism and scholarship.

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SAFEhouse for the Performing Arts
May 6, 2018, 7pm
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June 21-23, 2018, 8pm
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Mills College Art Museum
September 8 - October 21, 2018
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Compilation Reel, 1987

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